King Fangzheng's left, middle and right body(方正王左中右体)

There are roughly two directions for writing, one is to pursue the stroke and shape of local strokes, and the other is to pursue the structure and layout of the whole Chinese character.Wang Fangzheng pursues the latter.Specifically, it is to break the most common and familiar structure and layout of each word, enlarge what should not be enlarged, shrink what should not be reduced, elongated should not be elongated, widened should not be widened, should not be empty The place is empty, the place that should not be broken is broken, so that every stroke seems to be out of control, and the center of gravity of the whole character is shifted, but in the end, a new balance is formed.The word is still the same word, but the increase and decrease are linked.The creative process is not so much writing, but rather painting, jigsaw puzzles, dismantling and deforming the strokes of the "old characters" one by one, and then re-splitting them into a "new character" that is crooked and cracked.If you use adjectives to describe this font, the following three words may be relatively close: clumsy, stubborn, lazy.